Posted by Shazarch on 07 May 2022

Oratory of Saint Philip Neri

Oratorio dei Filippini

Crafted between 1637 and 1650, the Oratorio dei Filippini (Oratory of Saint Philip Neri) stands proudly by the Chiesa Nuova. Originally part of a picturesque square, it's now nestled in the lively Corso Vittorio Emanuele II.

Imagine the Filippini congregation, already owners of a stunning Baroque church, dreaming up an adjacent oratory and residence. Enter Francesco Borromini, the maestro who beat out rivals like Paolo Maruscelli for this project. Over 13 years, amidst creative clashes and breakthroughs, Borromini crafted this masterpiece.

By 1640, the oratory was active, with its library, the Biblioteca Vallicelliana, complete by 1643. Borromini's touch graces the façade, courtyards, refectory, and even a clock tower. Yet, in 1650, he left the project, handing the reins to Camillo Artucci amid some fiery disagreements.

The façade, a Borromini signature, is modest compared to its neighboring church but no less striking. With its concave curve and Corinthian pilasters, it resembles an embracing figure. The corner boasts a Borromini-special clock turret from 1647-1649.

Inside, rhythmic pilasters and columns create a dynamic space. The Sala Borromini now serves as a hub for discussions and meetings, echoing the vibrancy of a town hall.

Then there's the Biblioteca Vallicelliana, with a staircase featuring plaster models of Alessandro Algardi's works, leading to a treasure trove of books. The music hall, designed for the Filippini's prayerful melodies, boasts exceptional acoustics, ensuring every note resonates perfectly within its walls.